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2008 |
David Hockney touches up his classic 'Tristan', Los Angeles Times, 1/13/2008 |
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2007 |
A Hockney for the National, ARTS and Exhibition News, London 10/1/2007 Hockney shows that biggest is best, Telegraph, 06/06/2007 Hockney unveils massive new work in London, CBS Arts, 05/26/2007 David Hockney unveils "BIGGER TREES NEAR WARTER", Towleroad, 05/25/2007 No smoke without ire , The Spectator, 05/16/2007 Rare Hockney art car at classic show , The Bradford Classic, 05/07/2007 Visualizing the Depths of ‘Tristan’ ,
The New York Times , 04/29/2007 Hockney's inspiration: the idylls of his youth , The Independent, 04/16/2007 Hockney landscapes make UK debut , BBC News, 04/16/2007 Landscapes past and present show oil and water do mix at Tate Britain , The Guardian, 04/16/2007 Hockney's county works go on show , Hull Daily Mail-Hull, England, UK, 04/16/2007 Doctor Hockney heads honours , Cambridge Evening News, 3/28/2007 |
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2006
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David Hockney: Life Love Art , This is Local London, 11/07/2006 David Hockney Portraits at the National Portrait Gallery, 24 Hour Museum, 10/26/2006 The three David Hockneys , Times Online, 10/25/2006 Whatever happened to Hockney?, This is London, 10/16/2006 London’s Big Art Week Kicks Off with a Burberry Fête for David Hockney, Style.com, 10/13/2006 It's just like old Times as Hockney makes headline news 50 years on, The Times, 10/12/2006 Hockney muse steps into the picture for his biggest show yet, Telegraph, 10/12/2006 Hockney's muse at retrospective opening, Guardian, 10/12/2006 First showing for Hockney's Mrs Clark, This is London, 10/11/2006 Portraiture alive and well, says painter Hockney, Reuters, 10/11/2006 Hockney is top of the pops, The Times, 10/7/2006 OPERA REVIEW: An Isolde with ample soul -- and voice, The Mercury News, 10/7/2006 OPERA REVIEW: SF delivers a stalwart 'Tristan', The Mercury News, 10/6/2006 David Hockney: Portraits at National Portrait Gallery, Art Daily, (PDF) 10/3/2006 Hockney Landscapes Explore Color of Rural England, Bloomberg, 9/19/2006 David Hockney: Why I Paint Instead of Just Picking Up a Camera, Bloomberg, USA 9/18/2006 "To make good portraits, you need to be interested in people", Guardian Unlimited - UK 9/11/2006 'Cooler than Warhol, more enduring than Freud', Guardian Unlimited - UK 9/8/2006 Hockney Portraits' in L.A. Traces 50 Years of Friends, Lovers, Bloomberg, 6/12/2006 Getting to the heart of Hockney, LA Times, 6/12/2006 Do these faces look familiar?, LA Times, 6/9/2006 Up there, Stravinsky, The Age, 3/2/2006 Hockney's Personal Portraits,In the first major exhibition devoted to the personal side of Hockney, 150 of these portraits are on display at the Museum of Fine Arts in Boston. Here and Now-MA, 2/28/2006. The Art Set - An Artist Who Needs People, New York Social Diary, 2/27/06 Hockney is on display at MFA, Boston Herald, 2/26/2006 David Hockney keeps seeking new avenues of exploration, The Boston Globe, 2/25/2006 A Letter from David Hockney, The Guardian, 2/25/2006 David Hockney's portraits come to Boston's MFA, The Providence Journal, 2/25/2006 Hockney Night, ARTFORUM, February 22, 2006 Lacayo, Richard. "Twilight of the Bad Boy". David Hockney is older and more British but still just as mischievous. Time Magazine, February 2006. Lyric Opera of Chicago's 2006-07 Season-The season will open with Puccini's Turandot, in a David Hockney production. Playbill Arts, 13 January 2006 Hockney Portraits to Mark Anniversary The Rolex Mentor and Protegé Arts Initiative Face values: now Hockney makes an exhibition of himself and family.The Independent, 02 December 2005 Wright, Karen. FUMING:
David Hockney on painting, bohemia and freedom of choise.
Modern Painters, December 2005 / January 2006 |
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2005 ^ |
Weschler, Lawrence. ”Returning to the Hand: David Hockney’s Unacknowledge Fax to The New York Times Rebukes obtuse science and abject journalism”, Believer Magazine, December 2004/January 2005. David Hockney’s unpublished handwritten letter to the editor is reproduced with an introduction by Mr. Weschler. Pages 14 through 20.
Spike, John T. “Prodigious Son: David Hockney’s New Watercolors Take Him Home Again”, Art & Antiques, January 2005. Interview with David Hockney on the subject of New Yorkshire watercolors. Photograph of David Hockney while painting on page 59. Five color reproductions. Pages 59 through 64.
Graham-Rowe, Duncan. “Hockney ‘was wrong’ Over Copying Claim”, New Scientist, January 15, 2005. Article refuting David Hockney’s Secret Knowledge thesis. Page 23.
Dougary, Ginny. “The Pleasure Principle”, The Times, London, January 15, 2005. Interview with David Hockney on his curation of the Robert Mapplethorpe exhibition at the Alison Jacques Gallery. Cover photograph of David Hockney. Three additional photographs of David Hockney inside. Pages 36 through 44.
Preston, John. “Portrait of the Artist as Curator”, The Sunday Telegraph, January 16, 2005. Interview with David Hockney regarding his curation of the Robert Mapplethorpe exhibition at the Alison Jacques Gallery. Photograph of David Hockney. Arts section, page 5.
Scheips, Charlie. “Boys on Film” New Statesman, U.K., January 17, 2005. Interview with David Hockney regarding his curation of the Robert Mapplethorpe exhibition at the Alison Jacques Gallery. Robert Mapplethorpe’s black & white photograph of David Hockney is reproduced. Pages 38 through 39.
Schruers, Fred. Los Angeles Times, January 30, 2005. "Far from white-hot L.A., David Hockney embraces the cool vistas of his youth."Article on David Hockney’s new Yorkshire watercolors and upcoming exhibition at L.A. Louver. 1990 and 2004 photographs of David Hockney and four color reproductions. Calendar section E, pages 1, 38-39. (READ ARTICLE - PDF)
David Hockney: Hand, Eye, Heart (exhibition catalogue). Published by the L.A. Louver Gallery and David Hockney. Essay by Lawrence Weschler. Produced on the occasion of the L.A. Louver Gallery exhibition in Los Angeles from February 25 through April 2, 2005 |
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2004 |
Yorkshire Post Magazine, Yorkshire, England. January 3, 2004. “Hockney’s Family Values”, color cover reproduction of “Mum, March 1, 1997” with other color and black & white reproductions inside article. Article consists of excerpts taken from “Hockney’s Portraits and People” book published Fall 2003. Pages 2-4.
Stern, Steven. “Easy Riders”, Time Out Magazine, New York, NY, January 8-15, 2004, Issue No. 432.
Jones, Jonathan. “Disposable Cameras”, The Guardian, London, March 4, 2004. Color reproduction of “A Bigger Splash” 1967 and color photo of David Hockney. G2 Section, Page 12-13
Jones, Jonathan and Seenan, Gerard. “The Camera Today? You Can’t Trust It. Hockney Sparks a Debate”, The Guardian, London, England, March 4, 2004. Color head shot of David Hockney and headline on the front page. Inside article with another color headshot of David Hockney on page 3.
David Hockney: An Intimate Eye (exhibition catalogue). Published by the Richard Gray Gallery, Chicago, 2004. Essay by Marco Livingstone excerpted from the “Hockney’s Portraits and People” book from 2003. Produced on the occasion of the Richard Gray Gallery exhibition in New York from March 6 - April 16, 2004.
Kimmelman, Michael. “Touching All Bases at the Biennial”, The New York Times, March 12, 2004. David Hockney is mentioned in this art review of the Whitney Biennial exhibition. Weekend/Fine Arts Leisure section, Page B25 & B36.
Wright, Karen. “A Different Splash”, The Independenton Sunday, London. ABC Section, March 14, 2004. Caricature drawing of David Hockney on cover, inside article with photograph of David Hockney and three reproductions.
Schjeldahl, Peter. “What’s New”, The New Yorker, March 22, 2004. Art review of the Whitney Biennial exhibition. Pages 100-101.
Rosenbaum, Lee. “Whitney Biennial: A Show That Critics Usually Love to Pan, and for Good Reason”, Wall Street Journal, New York, March 23, 2004. Art review of the Whitney Biennial exhibition.
Wright, Karen. “The Hand, the Eye and the Heart”, Modern Painters, Spring 2004. A quote by David Hockney opens this short essay on the issue’s focus on photography. Reproduction of “Rainy Morning, Holland Park” 2004. Page 17.
Wright, Karen. “Painting is Just Better”, Modern Painters, Spring 2004. An indepth interview with David Hockney. Color reproductions.
Glueck, Grace. The New York Times, April 16, 2004. Review of “An Intimate Eye” at the Richard Gray Gallery, New York.
Alberge, Dalya. “Hockney’s New Brush with the Past”, The Times, London. April 19, 2004. Article on David Hockney focuses on recent watercolours. Color photo of David Hockney on cover. Three color reproductions. Page 3.
Gayford, Martin. “Photography is Crumbling” The Daily Telegraph, London, May 18, 2004. David Hockney discusses photography. Photograph of David Hockney.
“Beyond the Frame” The Sunday Telegraph, London, May 30, 2004. 1963 photograph of David Hockney in his studio by Jorge Lewinski. The Sunday Telegraph, London, May 30, 2004. 1963 photograph of David Hockney in his studio by Jorge Lewinski.
Appleyard, Bryan. The Sunday Times, London, May 30, 2004. Interview with David Hockney and Allen Jones on the Royal Academy Summer Exhibition. Photograph of David Hockney. Culture section, page 8 – 9.
Baracaia, Alexa. “Shock of the Art Attack”, The Evening Standard, London, June 3, 2004. Art review of the Royal Academy Summer Exhibition. Photograph of David Hockney.
Brown, Jonathan. “Two Old Classmates and the Modern Art of Exhibitionism”, The Independent, London, June 4, 2004. David Hockney discusses the Royal Academy Summer Exhibition. Color photograph of David Hockney. Page 3.
Kennedy, Maev. “Art Surgery: Doctor’s Bloody Work on Show” The Guardian, London, june 4, 2004. Article about the Royal Academy Summer Exhibition. Photograph of David Hockney in front of the six watercolors appearing in the exhibition. Page 12.
Alberge, Dalya. “Academy Show Gets to the Heart of Life Drawing”, The Times, London, June 4, 2004. Article about the Royal Academy Summer Exhibition. Photograph of David Hockney. Page 14.
Poole, Oliver. “Enough of This Fast Art, Critic Tells the RA”, The Daily Telegraph, London, June 4, 2004. Article about the Royal Academy Summer Exhibition. Photograph of David Hockney. Pages 4 and 5.
Sewell, Brian. “Old Buffers with a Talent for Publicity”, The Evening Standard, London, June 4, 2004. Review of the Royal Academy Summer Exhibition. One color reproduction.
The New York Times, Op-Ed page, june 21, 2004. Detail of “A Bigger Conservatory I” 2004, which appears as “Summer”, 1st in a series of four works representing the seasons.
Greenberg, Sarah. “Kitchen Confidential” The Royal Academy of Art Magazine, Summer 2004. Interview with David Hockney and Allen Jones on the Royal Academy’s Summer 2004 exhibition. Photographs of David Hockney on pages 7, 48 and 51. Color reproductions on pages 9, and 13. Article on pages 48 through 51.
Boxer, Sarah. “Computer People Reopen Art History Dispute”, The New York Times, August 26, 2004. David Hockney’s Secret Knowledge is discussed. The Arts Section, pages b1, b5
The New York Times, Op-Ed page, September 22, 2004. Detail of “Untitled” 2004, which appears as “Fall”, 2nd in a series of four works representing the seasons.
Hockney’s Pictures (book). Published by Thames and Hudson, Ltd., London, Autumn 2004 . 240 pages. 368 pages. 325 illustrations, 277 in color.
Tumlir, Jan. “David Hockney: On Returning”, Flash Art Magazine, October 2004. Article on David Hockney surveying his early work and the renewed interest in his imagery and recent work. Six color reproductions. Pages 95 through 98.
Stephanson, Anders. “Further Horizons: David Hockney in Perspective”, Flash Art Magazine, October 2004. Reprint of an excerpt of a January-February 1989 Flash Art interview with David Hockney. Two color reproductions. Pages 100 through 101.
Rye, Jane. “Pleasure Without Angst” The Spectator, England, December 2004. Review of Hockney’s Pictures . Reproduction of “Self-Portrait with Red Braces”.
The New York Times, Op-Ed page, December 21, 2004. Detail of “Tree, East Yorkshire. 24 III 04” 2004, which appears as “Winter”, 3rd in a series of four works representing the seasons.
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